![]() The most compelling are lieder composed upon art poetry lyrics (by J. ![]() He is considered the founder of this genre in Serbian music. Lieder, composed after the lyrics by romanticist poets and folk motives, occupy the most significant place in Marinković's oeuvre. Marinković often reworked his pieces, thus they exist in several versions. In his church works, Marinković was inspired by Serbian Church chanting ( Liturgy, for mixed choir) and influences of Russian Church music ( Opelo ( Orthodox Requiem), O, Heavenly King ( Carju nebesni), Angel vopijaše, etc.). Grčić Milenko, and Vojislav Ilić ( Tell me, please, tell me ( Kaži mi, kaži), The Parting ( Rastanak), The stream gurgles ( Potok žubori), Oh, How the sun shines ( Oh, kako sunce sija), Prayer ( Molitva), A Shrub ( Grm), etc.). He composed lieder after the lyrics of Serbian poets Jovan Jovanović Zmaj, J. In his lieder, Marinković paid closed attention to the correct diction, lilting melody, and expressive piano accompaniment with which he depicted certain desired atmosphere. Among piano-accompanied choral works similar to cantatas, significant are A Content river ( Zadovoljna reka) and The Water mill (( Potočara) with text-painting), of lyrical character, both written after the text by Jovan Milenko Grčić, and also a patriotic choral work On Good Friday ( Na Veliki petak). Marinković composed eleven Kolos, based on a mosaic-like assemblage of folk tunes ( Branko’s kolos being the third, fifth, and ninth kolo, upon The School friends’ parting ( Đački rastanak) lyrics by Branko Radičević, featuring stylized melodies from Vojvodina). ![]() Kaćanski) of an upbeat, march-like character, thus considered a symbol of the feisty spirit of Serbian people, With a song to the heart, and Slavia ( Slavija) lyrical pieces for mixed choir and compositions for children's choir, among others. ![]() He composed patriotic songs for men's choir, the most popular among them being The People’s assembly (( Narodni zbor) 1876, after the text by S. ![]() As a composer of a distinct romanticist expression, Marinković often utilized folk melodies. ![]()
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